{"id":514,"date":"2023-10-04T15:11:51","date_gmt":"2023-10-04T13:11:51","guid":{"rendered":"https:\/\/rencontrescinemas.eu\/2023\/?post_type=focus&p=514"},"modified":"2023-11-13T13:52:14","modified_gmt":"2023-11-13T12:52:14","slug":"sport-et-cinema-corps-en-mouvement-corps-en-devenir","status":"publish","type":"focus","link":"https:\/\/rencontrescinemas.eu\/2023\/focus\/sport-et-cinema-corps-en-mouvement-corps-en-devenir\/","title":{"rendered":"Sport et Cin\u00e9ma : corps en mouvement, corps en devenir"},"content":{"rendered":"\n

<\/em><\/p>\n\n\n\n

A la veille des J.O. de Paris le sport s\u2019impose au coeur du d\u00e9bat public et du paysage politique. Cela ne doit pas nous faire oublier qu\u2019il est d\u2019abord une pratique quotidienne de masse, d\u00e8s l\u2019enfance, \u00e0 l\u2019interface du jeu, du plaisir, de l\u2019\u00e9ducation, de la sant\u00e9, voire de la sexualit\u00e9, mais aussi de l\u2019art, par l\u2019interm\u00e9diaire de la danse, du th\u00e9\u00e2tre, de la peinture, de la photographie\u2026 et du cin\u00e9ma. Par d\u00e9finition un corps en mouvement est un corps en devenir, par l\u2019effort sur soi, la musculation, et m\u00eame, dans le cas des sportifs de haut niveau, l\u2019intervention de traitements, licites ou illicites. <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

TABLE RONDE <\/strong>– jeudi 23 novembre \u00e0 17h30 au Centre Le Bournot<\/em><\/p>\n\n\n\n

Comment filmer les corps en mouvement, t\u00e9moigner de leurs \u00e9motions, sentir les luttes qui les traversent \u2013 et pas seulement celles qui les opposent ? Nous nous demanderons comment le cin\u00e9ma et les sciences sociales suivent les gestes qui germent et les forces qui les portent, et de quelles mani\u00e8res nous pouvons pressentir ou accompagner les devenirs de ces chairs travaill\u00e9es et d\u00e9sirantes que sont celles des athl\u00e8tes et des danseurs \u2013 y compris celles et ceux qui se cachent en nous.<\/p>\n\n\n\n

<\/div>\n\n\n\n
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Les films du Focus<\/strong><\/a><\/div>\n<\/div>\n\n\n\n

Intervenants<\/strong><\/p>\n\n\n\n

JEAN-FRAN\u00c7OIS BAYART Professeur \u00e0 l\u2019IHEID de Gen\u00e8ve, titulaire de la chaire Yves Oltramare \u00ab Religion et politique dans le monde contemporain \u00bb.<\/p>\n\n\n\n

THOMAS GM\u00dcR Doctorant du d\u00e9partement de science politique de l\u2019IHEID de Gen\u00e8ve.<\/p>\n\n\n\n

BILAL ALAMI BADISSI
Jeune chor\u00e9graphe bas\u00e9 \u00e0 Istres, o\u00f9 il danse avec la compagnie Coline. En collaboration avec Jean-Fran\u00e7ois Bayart, il travaille \u00e0 cr\u00e9er des symbioses entre la danse et le discours scientifique. Dans ce cadre, il \u00e9crit Les absences r\u00e9p\u00e9t\u00e9es, qu\u2019il interpr\u00e8te aux RCE2022. Pour la 25\u00e8me \u00e9dition du festival, il danse un solo au titre r\u00e9v\u00e9lateur de son int\u00e9r\u00eat pour le cin\u00e9ma : Hors-champ.<\/p>\n\n\n\n

VALENTINE SABATOU
Ancienne gymnaste artistique de haut-niveau de l\u2019\u00e9quipe de France (2007-2015). Form\u00e9e par ailleurs en danse contemporaine, elle d\u00e9veloppe depuis deux ans, en compagnie de deux jeunes artistes, un collectif d\u2019art vivant et de cin\u00e9ma nomm\u00e9 Terrain Glissant. Elle est aussi architecte paysagiste et urbaniste de formation.<\/p>\n\n\n\n

MICHEL HERREN
Auteur d\u2019une th\u00e8se de doctorat en philosophe (\u00ab Nietzsche et Dionysos \u00bb) \u00e0 l\u2019Universit\u00e9 de Lausanne en 2005 ; chercheur ind\u00e9pendant, entra\u00eeneur, animateur, r\u00e9dacteur, r\u00e9alisateur.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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